Chapter 9
Orlando After Dark
9 min read
Once the boxes were unpacked and the campus failed to materialize, Orlando offered us something else to look at. The city was most convincing after dark.
From our balcony, we could see headlights streaming along the highway and fireworks rising beyond the apartment roofs. The bursts reached us before the sound. They were beautiful at first; soon I stopped turning my head. Darius stood at the railing with a drink, talking about what would happen when his career began.
Not if. When.
He would score films. Build a studio. Hire veterans. Create a company Lena could inherit. He described the acoustic panels, the assistants taking calls, the artists waiting outside his office. He leaned forward as he spoke, setting his glass on the railing so he could use both hands. He had not finished a business plan, but he knew where the logo would go.
"How do we get from here to there?" I asked, looking back through the sliding door.
"Connections. One break," Darius said into his glass.
"And the work."
"Obviously, the work."
Inside, the computer held dozens of files named Final, Final Two, Real Final, and New Final. Very little was finished. Darius liked the first hours of a project: a clean track, a promising beat, nothing yet requiring him to choose what to keep and what to cut.
I worked full days, sometimes longer. His hours depended on whether the music came. At lunch, I would find him asleep with the blinds closed. By evening, when I wanted quiet, he was pulling his chair up to the computer. After midnight, the same bass line came through the bedroom wall.
"Can you use headphones?" I asked from the doorway.
"I need to hear it in the room," Darius said, keeping his hand on the mouse.
"I need to sleep in the room."
He turned the volume down one click and called it compromise.
The drinking was easiest to overlook then. A glass on the balcony. Something stronger at the computer. A bottle within reach during a movie. He did not stumble into furniture or shout at strangers. His voice grew soft; he became affectionate or difficult to reach. Sometimes he repeated a story, then corrected me when I said I remembered it. Sometimes I would ask him a question and watch him stare past the television before answering.
"How much did you have?" I asked one night, when he told me the same story again.
"Why you counting?" Darius asked, turning toward me.
I had not been counting. After that, I noticed what was left in the bottle.
He knew I had not grown up around addiction. I expected a bottle in a paper bag, a missing paycheck, something unmistakable. Darius wore clean clothes, completed assignments, kissed me goodnight. I did not yet know to consider the evenings I waited to ask a question, or the mornings I stayed quiet until I knew which version of him had woken.
On good nights, he cooked, tasting from the spoon and turning back to the stove before I could offer an opinion. He made me laugh before I had put my work bag down. He rubbed my feet while I answered emails and told me I was the smartest woman he knew. We danced between the counter and the stove to songs he wished he had produced.
I remember those nights as clearly as the others. I will not make him simpler than he was.
His tenderness was not always a performance. I knew the difference between the laugh he worked for and the one that surprised us both. He could give me his full attention, could notice I was tired before I said so. I kept taking those moments as proof of the man I would have once everything else was settled.
After midnight, the fireworks stopped, then the music. Beside him in the dark, I listened to the air conditioner cycle on and off.
I had moved for a school he attended from bed. He had moved away from his daughter for access he did not use. The bills came to me; he called them our investment.
Still, when he reached for me in his sleep, I reached back.
By morning, his arm would still be across my waist.
We toured a house we could not afford. Darius wanted to walk through the future, not look at photographs.
It had four bedrooms, a fenced yard, and a smaller room Darius claimed for his studio while the agent was still explaining the floor plan. She paused with her finger on the brochure, then smiled. I pictured Lena holding paint swatches against a wall, a wedding photograph beside the stairs, my parents' bags in the guest room.
"This is us," he whispered, close enough that the agent could not hear.
The agent lowered the brochure and asked whether we were preapproved.
Darius said yes without looking at me.
We were not.
The car was hot from sitting in the driveway. I waited until the doors were shut to ask why he had lied.
"She was going to treat us different."
"Financing determines whether we can buy the house," I said.
"People speak things into existence."
"Lenders ask for documents."
He turned the air-conditioning vent toward himself and said I had no faith.
For weeks, I kept the listing on my phone. I opened it during lunch and looked again at the staircase, the fenced yard. Like the ring, those photographs let me imagine that what I was paying for now would eventually become something we shared.
When the listing changed to sold, I sat with the phone in my hand longer than I care to remember.
I had walked through those rooms only once.
Someone else would be carrying boxes up the staircase. We had not even applied for the loan.
My own future arrived in envelopes, with my name visible through the little plastic window.
I had learned early to read a government notice twice: first for the decision, then for the dates. Renewals went on the calendar. Forms had to be signed, copied, sent. A missed deadline could threaten my work, my identification, all the ordinary plans I made as though I had an ordinary claim to them.
Darius knew that history. He said he admired the way I kept building a life without knowing how long the next approval would last.
I do not think he knew how readily I would trust someone who promised I could stay.
The tattoo. The ring. Our place. Wifey. I held on to each one. None came with an expiration date or a form I would have to submit again.
When my renewal notice arrived, I read it standing up and began to cry. Darius put his arms around me while I still held the page. "I got you no matter what the paperwork says."
I believed him.
I folded the notice along its original creases and put it somewhere safe. His promise required no such care, I thought.
For nearly two years, Darius and I never officially broke up.
We threatened to leave. Slept in separate rooms. Passed each other in the hall without speaking. Once, for an entire weekend, we addressed each other only to ask what we needed from the grocery store. Still, neither of us called it an ending until I carried my suitcase down the stairs.
Until then, I counted our staying as commitment.
We could return to breakfast without returning to what had happened the night before.
After the worst arguments, Darius brought coffee to my side of the bed. He rested a hand on my lower back while I cooked or played a song he said reminded him of me. I let the coffee cool while I considered whether to ask the question again. By the time I drank it, I usually had decided not to.
"I hate when we like this," he would say, reaching for my hand.
"Then let's solve what made us like this," I said.
"Why can't we just have a good night?"
We could have a good night if I left the question alone.
Once, in June, he took me to a real session, and I want it in the record, because it is the strongest evidence for the other man, the one I was not inventing.
It was a room in a house off Michigan Street: foam on two walls, a tapestry over the third, an old Yamaha upright that somebody's mother had given up. Reggie engineered. Marcus brought a bag of tamales from his aunt's and set them on the amp like an offering.
Darius was different in that room. He was early. He was early. He had charts, actual handwritten charts on yellow legal paper, and he knew the tempo he wanted before anybody asked, and when the singer they'd booked came in nervous with a bad cold, he did not sigh or perform patience.
"Sit down," he told her. "Drink something warm. You're not singing for an hour. We're going to build the bed under you first."
She cried a little, because she had come in expecting to be a problem. He went and stood in the kitchen doorway and talked to her about nothing, her cousin's baby, the traffic on 408, until she stopped apologizing.
Then he worked. Four hours. He heard things I could not hear even after he pointed at them — a rub between the organ and the bass that he fixed by moving one note, a breath he kept because it was the only honest thing in the second verse.
"Play it back from the two," he kept saying. "From the two, Reg."
At eleven he put the headphones on my ears and pressed them with both hands, and the song came up around me finished, and I understood, physically, why I was in Orlando.
"That's you," I said.
"That's her."
"That's you underneath her."
He smiled at the console instead of at me. He took compliments about his work the way other people take bad news: carefully, at an angle, as if he might have to give it back.
On the way home he was lit up, talking fast, planning. Three more of those and he could charge properly. He needed a better interface, not the top one, just better. He'd have Reggie's room on Tuesdays. He was going to call the singer's manager about the aunt's church, because there were four more girls in that choir.
"Do it tomorrow," I said.
"Tomorrow," he said, and squeezed my knee at the light on Bumby.
He did not call. Not that week, not that month. The singer's record came out fourteen months later with somebody else's name in the credits, and by then I was living alone and I found it by accident and sat on my own floor and listened to it twice.
For a long time I told the story of that night as proof that he had it in him. I still think that is true. What I understand now is that talent was never the missing piece, and neither was love. He could build a bed under a frightened woman in four hours. He could not make a phone call on a Tuesday. Everything that happened to us lived in that gap.
Often, I did. I was tired. I wanted to sit beside him without rehearsing what I needed to say. When he reached for me, I moved closer and let the evening pass.
There was always something he would explain tomorrow, something we would settle after the next break. My suitcase stayed on the closet shelf.